A million years ago, when I was working on Babe: Pig in the City , I walked into the huge studio at Fox for my first night on the job, and saw a giant animatronic pelican. The special effects unit was working nights, because the main unit was, and George Miller wanted everyone working on the same shifts. A microwave link was set up between main unit, second unit, and I think also the edit suite. If main unit was on night shoots, so were the rest of us. Anyone who has worked nights will tell you that the first night shift is a strange thing. You tried to stay up late the night before, you tried to sleep in and do nothing all day so that you could make it through the night, and you turn up for work and can’t stop yawning. Add to that the nervousness of working on such a huge scale, with a new crew that you don’t know, and it’s nerve-wracking. So under the circumstances, the pelican was a bit of a shock. It was big, it was feathered, it had a huge leathery bill, and bright yellow rimmed eyes. It was the fakest fake thing I had ever seen. It was surrounded by a team of puppeteers, tweaking each little movement, trying to make the flying motion look like a real pelican. Good luck, I thought, and wandered off to find the camera truck. Some months later, on another job, I was at Sea World on the Gold Coast, where they have a pelican rehabilitation facility. I was lucky enough to stand about three feet away from a real, live, actual pelican. Amazing, I thought. It looks just like an animatronic pelican. Inigo sees a pelican for the first time Waves! Much less scary than they were last time we were at the beach on his birthday Everything is less scary when daddy is around Buried in sand Fun, despite the taste The end
Babe: Pig In The City (Theatrical Trailer) Unedited Uploaded by NakedBrotha2007

A million years ago, when I was working on Babe: Pig in the City, I walked into the huge studio at Fox for my first night on the job, and saw a giant animatronic pelican.
The special effects unit was working nights, because the main unit was, and George Miller wanted everyone working on the same shifts. A microwave link was set up between main unit, second unit, and I think also the edit suite. If main unit was on night shoots, so were the rest of us.
Anyone who has worked nights will tell you that the first night shift is a strange thing. You tried to stay up late the night before, you tried to sleep in and do nothing all day so that you could make it through the night, and you turn up for work and can’t stop yawning. Add to that the nervousness of working on such a huge scale, with a new crew that you don’t know, and it’s nerve-wracking.
So under the circumstances, the pelican was a bit of a shock. It was big, it was feathered, it had a huge leathery bill, and bright yellow rimmed eyes. It was the fakest fake thing I had ever seen. It was surrounded by a team of puppeteers, tweaking each little movement, trying to make the flying motion look like a real pelican. Good luck, I thought, and wandered off to find the camera truck.
Some months later, on another job, I was at Sea World on the Gold Coast, where they have a pelican rehabilitation facility. I was lucky enough to stand about three feet away from a real, live, actual pelican.
Amazing, I thought. It looks just like an animatronic pelican.

Inigo sees a pelican for the first time

Waves!

Much less scary than they were last time we were at the beach on his birthday

Everything is less scary when daddy is around

Buried in sand

Fun, despite the taste
The end
http://www.dailymotion.com/swf/x4u68q_babe-pig-in-the-city-theatrical-tra_shortfilms&related=1
Babe: Pig In The City (Theatrical Trailer) Unedited
Uploaded by NakedBrotha2007